Scott Murrells (b. 1964)
Former engineering patternmaker, automotive clay modeller, woodworker, artist, hardware expert
Apprenticed in engineering patternmaking at John Williams Patterns, Melbourne, c. 1981-85.
I guess, in a way, patternmakers solve problems. There’s a design, that comes along, and it gets turned into a drawing … and you solve that problem, you turn it into the three dimensional object that they want.
When I first started patternmaker, I remember a tradesman saying,
‘Why’d you pick this trade? It’s not gonna be around in the next few years.’
They knew it was coming. … the teachers knew it was coming to an end. I think it’s just normal human nature just to hang on until you’re pushed over the edge. … It was all starting to be mechanised, I guess, or computerised.
The majority of the work that I did when I started was metal casting patterns. And then there was a slow down in metal casting components for machinery, and plastics was taking over. I guess the automotive industry is the easiest way to illustrate it. You go back to the early cars and a lot of it was stamp metal and cast metal. Then it became very plastic, so the plastic side of patternmaking took off, it had a peak there for a short time … and then CNCs came in. That’s how I see what happened to patternmaking. It was labour intensive, long lead times to produce a pattern. … I never sort of thought about it much back then. But I think they were always looking for quicker turnaround. So once computers became, you know, CAD systems got off the ground, they saw an opportunity to do it digitally.
I wasn’t really frightened of [technological change], but you thought well, the work became less and less fun. Because you’d get these CNC-cut things, and all you were doing was, you know, making sharp corners round and the round corners sharp, sort of thing. So it was boring. I guess that’s the reason I didn’t stay in patternmaking – because it became boring. You know, there was no real, there was no problem solving, you didn’t have to think. That was all taken off you. … It basically means that you no longer become the problem solver or the creator of the pattern. It’s done for you. You then became you become the finish[er] of the pattern. … All that creativity comes away from it. So there’s no fun, there’s no fun in it any more.
You can listen to Scott Murrells’ interview on the National Library of Australia’s digital collection item here.