Debra Schuckar (b. 1966)
Currently practicing engineering patternmaker, singer, textiles maker and artist, Melbourne.
Apprenticed in engineering patternmaking at the State Electricity Commission of Victoria, Richmond, early 1980s.
You become a patternmaker once you get your ticket. So probably after my four years, and you come out of your time and you become one of the time, like you are a patternmaker. … I won a couple of awards along the way, made me feel that I am in the right direction. … I remember those times, you just grab your drawing, you know exactly what you’re doing, and you go from there.
I understand we have computers but computers are just a tool. If the person behind the computer doesn’t know what they’re putting in, because they don’t have a practical feel for what they’re doing, it’s going to waste a lot of time. Trades are there for a reason but I know trades have sort of demised. I’m hoping that will open some sort of a – there will be a window open and they’ll start training again. I mean, where are you going to get those skills from, you know? I know machines are taking over but you’ve still gotta understand the machine to do it, and is that machine always going to be able to do it? I don’t know. Machines need to be fixed.
I was the first [woman patternmaker] in Victoria. So that was kind of scary I suppose at the time because I felt a lot of pressure to succeed. I didn’t want to fail anybody because I was the first. I felt like I was, you know, making a wave in the change for women’s vocations, If I didn’t fail or I become this patternmaker, then anybody could do it. I mean, it’s a funny way of thinking, but I just wanted to make sure that the doors would be open. … At the time I did feel a responsibility to be successful so that other women could follow in their own way. But I look back and think well, it’s not a failure if you don’t do well anyway, it’s just that first thing you try out. But that’s how I felt at the time. … No, I didn’t fail anybody. … It’s a lot of pressure.
Debra Schuckar’s interview is held with the National Library of Australia